The pursuit of artistic renewal following a disappointing project can lead to striking cinematic narratives. Directors like David Lynch and M. Night Shyamalan have exemplified this phenomenon with films such as Blue Velvet and The Visit. After the success of his debut film, Columbus, and the thought-provoking After Yang, filmmaker Kogonada ventured into larger productions with A Big Bold Beautiful Journey. Despite its ambitious premise, the film struggled to resonate with critics and audiences alike. Seeking a more authentic approach to filmmaking, Kogonada embarked on an unstructured journey to Hong Kong, accompanied by a small team of trusted collaborators.
A new direction in storytelling
Instead of reverting to his previous style, zi marks Kogonada’s bold leap into instinct-driven creativity, resulting in a film that feels both distinct and personal. It weaves a rich tapestry of emotions, exploring the fragility of the past and the uncertainties of the future, while celebrating the vibrant energy of the city. Although the film may not adhere to a conventional narrative, it reaffirms Kogonada’s artistic integrity, showcasing his talent for crafting deeply personal cinematic experiences.
The essence of zi
The story follows Zi, portrayed by Michelle Mao, a young violinist navigating the bustling streets of Hong Kong while grappling with feelings of guilt and the looming shadow of a terminal illness. As she contemplates her future, her musical career hangs in the balance, prompting her to visit the graves of her deceased parents. There, she confronts the haunting idea of forgetting their faces, a poignant regret that weighs heavily on her heart.
Amid her emotional struggles, Zi encounters L, played by Haley Lu Richardson. Sporting a distinctive wig reminiscent of Wong Kar-wai’s aesthetic, L quickly forms a connection with Zi. Together, they embark on a journey that intertwines their lives. The reappearance of Min, portrayed by Jin Ha, complicates their dynamic as unresolved feelings and complex relationships come to the surface.
A sensory cinematic experience
What unfolds in zi transcends traditional storytelling, becoming a rhythmic and immersive experience. Kogonada’s instinctive editing melds the vibrant sounds and visuals of Hong Kong into a sensory feast. The film features a captivating score, including serene piano melodies by Ryuichi Sakamoto, alongside familiar tracks like Alanis Morissette’s Hand in My Pocket and John Denver’s Leaving on a Jet Plane, which heighten the emotional depth of the film.
The cinematography by Benjamin Loeb enhances this experience with its loose, grainy aesthetic, mirroring the chaos of the city and the internal struggles of its characters. While the film may not require intense performances from its actors, the improvisational nature of many scenes could create a somewhat opaque emotional landscape for viewers. Nevertheless, Kogonada’s curation of disparate images and sounds leaves a lasting impression, resonating long after the credits roll.
Hong Kong as a backdrop
Early in the film, a character encapsulates the essence of Hong Kong, stating, “This is why I love Hong Kong. City dancing with nature. The push and pull of it.” This sentiment is echoed through a subplot involving a character who records the city’s sounds, suggesting that zi acts as more than just a narrative; it serves as Kogonada’s personal travelogue. While his earlier works displayed a methodical approach to structure, this film embraces organic spontaneity that reflects a deeper exploration of creativity.
If this experiment in filmmaking catalyzes Kogonada’s creative revival, it stands as a significant endeavor. zi premiered at the 2026 Sundance Film Festival, marking a pivotal moment in Kogonada’s artistic journey as he continues to explore new avenues of expression.