Skip to content
14 September 2026

Exploring the Journey of Máxima Mauricio in No Money No Honey

Moveria Film has acquired international sales rights to the documentary No Money No Honey, directed by Nicole Costa, ahead of its world premiere at the Camden International Film Festival.

Exploring the Journey of Máxima Mauricio in No Money No Honey

In a significant move for independent cinema, Moveria Film has secured the international sales rights to the documentary No Money No Honey directed by Nicole Costa. The film is set to make its world premiere at the prestigious Camden International Film Festival in Maine, running from September 17 to 20. This acquisition underscores Moveria Film’s commitment to showcasing bold, auteur-driven narratives that resonate on a global scale.

The documentary, described as a vibrant story of friendship, migration, joy, and resilience centers on Máxima Mauricio, an Argentine non-binary sex worker living in New York. The film interweaves personal VHS tapes recorded by Mauricio between 1991 and 2004 with post-pandemic 4K footage, offering a fluid portal into her memory. It confronts a childhood marked by abuse and neglect while longing for her golden days across Buenos Aires, Miami, and New York.

Moveria Film’s Vision and Commitment

Lucas Besnard of Moveria Film expressed his enthusiasm for the project, stating, “What really drew us to No Money No Honey was the intimacy of Máxima’s story and the way the film brings us directly into her world.” Besnard highlighted the contrast between the VHS footage of Mauricio’s past and her life in New York in 2020, emphasizing the film’s ability to capture the essence of a queer community and a reality that deserves broader understanding.

Ceskary Avitia of Moveria Film added, “Coming from Mexico, I know how much prejudice surrounds sex work and trans identity. What drew me to this film is that it doesn’t try to convince you of anything; it just asks you to listen to Máxima’s own voice and to the VHS tapes she filmed of her life.” Avitia praised the film for giving voice to a community rarely heard on screen, emphasizing the importance of allowing individuals to tell their own stories.

The Creative Process Behind No Money No Honey

Producer Daniela Camino of Mimbre Films shared her insights on the collaboration with Moveria Film, stating, “Working with Moveria has been a turning point for No Money No Honey’s international debut. Their experience and personalized approach are just what a film like ours needed.” Camino expressed confidence that the partnership will help reach audiences around the globe.

The documentary, running 80 minutes, is directed by Nicole Costa and written by Costa, Daniela Camino, and Melisa Miranda. The cast includes Máxima Mauricio Rodas, Sebastian Quiencke a.k.a. La Baronesa Ditra, Antonia Martinez, Nellie Benittez, Mila Miller, Darius M. Curry, Nirvana Garcia, and Iván Monalisa Ojeda. The film is programmed in the Cinematic Vision Award competition at CIFF, further highlighting its significance in the documentary film landscape.

Moveria Film’s Unique Approach to Cinema

Founded in 2025, Moveria Film is an independent production, international distribution, and cultural mediation company. The company merges custom digital tools, including modeling, automation, and optimization, with traditional film production and distribution frameworks. This novel approach aims to foster new creative experiences, fresh perspectives, and bold narratives about the world around us.

The acquisition of No Money No Honey expands Moveria’s slate of bold, auteur-driven international cinema, reinforcing their commitment to bringing diverse and impactful stories to audiences worldwide. As the film prepares for its world premiere, the anticipation for this groundbreaking documentary continues to grow.

Author

Beatrice Mitchell

Beatrice Mitchell, Manchester-rooted and classically elegant, famously commissioned a rebuttal series after a controversial council planning meeting in Stockport, insisting on community testimony. Holds a firm editorial line on accountability and narrative fairness, and collects vintage city planning maps as an idiosyncratic hobby.