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15 July 2026

Exploring the Venice Film Festival 2026: Orizzonti Jury and Final Cut Initiatives

The Venice Film Festival 2026 showcases a stellar Orizzonti jury and groundbreaking projects in the Final Cut lab, highlighting the festival's commitment to emerging talent and cinematic innovation.

Exploring the Venice Film Festival 2026: Orizzonti Jury and Final Cut Initiatives

The Venice film festival 2026 is set to be a landmark event, featuring a distinguished jury for the Orizzonti section and an array of promising projects in the Final Cut lab. This year’s Orizzonti jury is composed of esteemed figures from the film industry, each bringing a unique perspective and extensive experience to the table. Meanwhile, the Final Cut lab is supporting a diverse range of films from Africa and the Middle East, offering them crucial post-production support and industry exposure.

The Orizzonti section has long been a platform for discovering new voices and innovative storytelling. This year’s jury, led by Valérie Donzelli includes a mix of directors, distributors, and actors, each with a rich background in cinema. Their collective expertise will be instrumental in identifying and celebrating the most compelling films in the Orizzonti competition.

The Orizzonti Jury: A Gathering of Cinematic Talent

The jury for the Orizzonti section is a testament to the festival’s commitment to fostering new talent. Valérie Donzelli a French director, actress, and screenwriter, serves as the president. Donzelli’s career spans a variety of roles, from acting in films by renowned directors to helming her own projects, including the critically acclaimed Declaration of War and At Work which won the Best Screenplay Award at Venice. Her diverse experience makes her an ideal leader for the jury.

Joining Donzelli is Peter Becker the president of the Criterion Collection and Janus Films. Becker’s work in distributing international art-house films has been instrumental in bringing classic and contemporary masterworks to U.S. audiences. His deep understanding of cinema and its global impact adds significant value to the jury.

Elizabeth Lo a Hong Kong-American director, brings her unique perspective to the jury. Her films, such as Stray and Mistress Dispeller have garnered international acclaim and numerous awards. Lo’s ability to capture compelling stories and her commitment to documentary filmmaking are assets to the Orizzonti section.

David Pablos a Mexican writer and director, is known for his powerful narratives and visually stunning films. His works, including The Chosen Ones and On the Road have earned him widespread recognition and numerous awards. Pablos’ expertise in storytelling and his ability to tackle complex themes make him a valuable member of the jury.

Completing the jury is Barbara Ronchi an Italian actress with a background in theater and film. Ronchi’s performances in films like Sweet Dreams and Padrenostro have established her as a talented and versatile actress. Her insights into the craft of acting and her understanding of the filmmaking process will be invaluable to the jury.

Final Cut in Venice: Nurturing Emerging Talent

The Final Cut in Venice lab is a vital initiative that supports filmmakers from Africa and the Middle East. This year’s selection includes six promising projects, each offering a unique perspective and innovative storytelling. The lab provides these films with essential post-production support and the opportunity to connect with industry professionals.

Among the projects is A Quarter to Thursday by Sofia Djama a film that explores the complexities of life in a strange country through the lens of a young woman seeking a clandestine abortion. Djama’s sophomore project, shot in Algiers and Marseille, promises to be a compelling addition to the festival.

Alaa Eddine Aljem‘s Eldorado, The Taste of the South is another standout project. This film follows migrants in search of a utopian island where everyone lives in peace. Aljem’s fresh perspective and unique storytelling approach make this a project to watch.

Bassel Ghandour known for his acclaimed film Theeb returns with Occupational Hazards. This film chronicles the experiences of a multi-generational Palestinian family, offering a poignant and timely exploration of identity and belonging.

The Final Cut lab also includes projects by Machérie Ekwa BahangoAbraham Gezahagne and Youssef Chebbi each bringing their unique visions and storytelling talents to the table. These films represent the diverse and rich cinematic traditions of their respective regions and offer a glimpse into the future of international cinema.

The Venice Film festival 2026 promises to be a celebration of cinematic innovation and emerging talent. With a distinguished Orizzonti jury and a lineup of promising projects in the Final Cut lab, the festival is poised to showcase the best of contemporary cinema and nurture the next generation of filmmakers.

Author

Jordan Wells

Jordan Wells covers Pride, policy and the cultural arc with equal seriousness. Reports on legislation, films, and the writers reshaping queer narrative today.