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15 September 2026

SGIFF 2026 Celebrates Kore-eda Hirokazu and Introduces New Industry Programs

The 37th Singapore International Film Festival is set to honor acclaimed filmmaker Kore-eda Hirokazu and expand its industry initiatives.

SGIFF 2026 Celebrates Kore-eda Hirokazu and Introduces New Industry Programs

The Singapore International Film Festival (SGIFF) is gearing up for its 37th edition, set to run from October 21 to November 1, 2026. This year’s festival promises to be a landmark event, celebrating the contributions of renowned filmmaker Kore-eda Hirokazu and introducing innovative industry programs.

Kore-eda, known for his intimate family dramas, will receive the festival’s highest honor, the cinema Honorary Award. This accolade recognizes filmmakers who have made significant and enduring contributions to Asian cinema. The festival will also showcase the Southeast Asia premiere of Kore-eda’s latest film, Look Back ahead of its theatrical release on October 29.

Honoring Kore-eda Hirokazu

Kore-eda Hirokazu has built a distinguished career with films that delve into the complexities of family dynamics and societal structures. His 2018 film Shoplifters won the Palme d’Or at the Cannes Film Festival, marking the first time a Japanese film had achieved this honor in over two decades. Subsequent works like Broker and Monster have further cemented his status as one of Japan’s most prominent directors.

The film Look Back is a significant addition to Kore-eda’s filmography. It is the first live-action feature adaptation of a manga by Tatsuki Fujimoto the creator of Chainsaw Man. The story follows two young manga artists, Fujino and Kyomoto, whose rivalry evolves into a friendship and ultimately pulls them apart. The film competed for the Golden Lion at the Venice Film Festival, highlighting its critical acclaim.

Yim Soon-rye Leads Asian Feature Film Competition

The festival has also announced Yim Soon-rye as the jury head of the Asian Feature Film Competition. Yim, a leading figure in the Korean New Wave, has directed acclaimed films such as Three FriendsWaikiki Brothers and Forever the Moment. Beyond her filmmaking career, Yim has been an advocate for social causes, serving as the president of an animal rights association and co-leading the Korean Center for Gender Equality in Film.

Yim will participate in the SGIFF Industry Days on October 27 where she will discuss her creative process and filmmaking practice. This event is part of the festival’s expanded industry program, which aims to connect filmmakers, students, and industry professionals.

Expanding Industry Initiatives

SGIFF is expanding its industry arm, SGIFF Pro with new programs designed to support emerging filmmakers and students. The Industry Days will grow from three to four days, featuring talks from notable industry figures such as cinematographer Ashizawa Akiko and filmmaker Fukada Koji. Ashizawa, a laureate of the 2026 Pierre Angénieux Tribute at the Cannes Film Festival, and Fukada, whose Singapore co-production Nagi Notes will screen in the festival’s Horizon section, will share their insights and experiences.

New additions to SGIFF Pro include Off Campus a four-day field trip for film school students; the Pitching Forum aimed at connecting international projects with decision-makers; and Parallax a free interdisciplinary sidebar examining the intersection of filmmaking, AI, and immersive technology. These programs aim to strengthen Singapore’s position as a regional hub for film co-productions and innovation.

The 37th SGIFF promises to be a celebration of Asian cinema, honoring the contributions of esteemed filmmakers and introducing innovative programs to support the industry. With a strong lineup of films and industry initiatives, the festival is set to be a significant event for film enthusiasts and professionals alike.

Author

Beatrice Mitchell

Beatrice Mitchell, Manchester-rooted and classically elegant, famously commissioned a rebuttal series after a controversial council planning meeting in Stockport, insisting on community testimony. Holds a firm editorial line on accountability and narrative fairness, and collects vintage city planning maps as an idiosyncratic hobby.