This weekend’s repertory scene in New York offers a dense mix of classic prints, curated retrospectives, and a notable restoration. From downtown multiplexes to single-screen institutions, programmers have assembled a roster that highlights both celebrated auteurs and offbeat ephemera. The schedule includes multiple 35mm presentations, a freshly restored 4K print, and themed series that invite repeat visits. If you prize the tactile warmth of celluloid or want to see a film in the context its programmers intended, these screenings are prime opportunities.
Beyond the titles themselves, the citywide offerings underline why repertory programming matters: it preserves lesser-seen works, surfaces new framings of familiar films, and lets audiences experience differences between formats. Here you will find mainstream late-night staples alongside niche retrospectives, all supported by museum shows and revival houses committed to presentation quality. For clarity, repertory refers to curated screenings of films outside the latest commercial releases; 35mm is used throughout to indicate traditional film projection rather than digital exhibition.
Neighborhood picks and must-see screenings
Roxy Cinema highlights
The Roxy Cinema lays out a varied program: Ken Jacobs’ experimental piece XCXHXEXRXRXIXEXSX and the playful short The Whirled screen on Friday, offering a taste of underground cinema. On another night, rapper and programmer Jack Harlow has selected Mike Leigh’s Secrets & Lies and a print of Federico Fellini’s 8½, creating a cross-genre pairing that reflects contemporary curatorial collaborations. Sunday brings a presentation by Pete Ohs, who programs Agnieszka Holland’s Provincial Assets, and the house is also showing Final Fantasy on 35mm. These screenings emphasize both experimental programming and the classic theatrical experience of celluloid projection.
Museum and indie house offerings
The Museum of the Moving Image concludes an ambitious retrospective centered on the film 2001, ending with 35mm showings of Claire Denis’ Trouble Every Day and John Cameron Mitchell’s Hedwig and the Angry Inch. Nearby, the IFC Center continues to program the newly restored 4K version of Kiyoshi Kurosawa’s Serpent’s Path alongside his film Chime. IFC also offers late screenings of eclectic titles such as Blue Velvet, No Country for Old Men, Fight Club, Noroi: The Curse, and Peter Greenaway’s provocative The Cook, the Thief, His Wife, & Her Lover. These venues balance archival preservation with popular draw titles.
Archives, revival houses, and specialized series
Essential Cinema and Film Forum
Anthology Film Archives presents an Essential Cinema sequence featuring works by experimental filmmakers such as Ron Rice and Jack Smith, as well as films by pioneering documentarian Dziga Vertov. These programs favor historical context and scholarly curation. Meanwhile, Film Forum continues screenings of Jerry Schatzberg’s Reunion and Satyajit Ray’s Days and Nights in the Forest, offering both American independent cinema and classic Indian filmmaking. Film Forum also schedules a 35mm showing of Harold Lloyd’s silent comedy Dr. Jack on Sunday, a reminder that revival houses often include silent-era gems alongside international classics.
Paris Theater and Metrograph curations
The Paris Theater hosts a focused series on films that inspired the TV series Beef, screening titles such as The Informant, Michael Clayton, Caché, and Burn After Reading on 35mm. On the other hand, Metrograph fills its calendar with bold, tactile presentations: Alejandro Jodorowsky’s The Holy Mountain, the Wachowskis’ The Matrix, and Kim Jee-woon’s The Good, the Bad, the Weird are playing on 35mm. Metrograph also continues retrospectives dedicated to filmmakers like Krzysztof Kieślowski and figures such as Boris Barnet, along with tributes to Tahar Cheriaa and the film Empress Li.
Print formats, restorations, and why it matters
The weekend underscores two presentation practices: exhibitions on 35mm and screenings of restored digital masters like the 4K Kurosawa print. Seeing a film on its original format or on a high-resolution restoration changes texture, grain, and color timing; this is why cinephiles seek out repertory programs. The institutions listed prioritize proper projection standards and program notes that enhance appreciation. For those planning visits, check individual websites for exact showtimes and any notes on format: some titles will be advertised specifically as 35mm presentations or newly restored 4K transfers.
Whether you aim to chase celluloid nostalgia, explore a themed retrospective, or catch a newly restored work, the city’s repertory venues supply a rich weekend menu. From underground experiments at Anthology to mainstream late-night favorites at IFC and curated pairings at the Roxy, there is an emphasis on quality presentation and contextual programming. If you value discovery and the historicity of exhibition formats, these screenings offer both education and delight in equal measure.