The New York repertory scene offers a brisk mix of tributes, restorations, and curated film prints this weekend. This guide, published 17/04/2026 15:16, collects notable programs around the city to help you plan screenings at institutions such as Anthology Film Archives, Film Forum, and the Roxy Cinema. Whether you follow auteur retrospectives or are drawn to the tactile qualities of theatrical film prints, these programs highlight the ongoing vitality of historical cinema presentation in urban venues. Expect a handful of long-running shows alongside single-weekend events and specialized restorations that appeal to cinephiles and casual viewers alike.
Anthology Film Archives: Tina Aumont tribute and linked works
At Anthology Film Archives, a tribute to Tina Aumont frames a selection of films connected to her career and contemporaries. The program gathers work by directors who intersected with Aumont’s filmography, notably Philippe Garrel, Bernardo Bertolucci, and Pierre Clémenti. These screenings foreground both well-known titles and lesser-seen pieces, offering fresh context for Aumont’s screen presence and collaborative networks. The series privileges the cinematic textures and performance choices that defined her legacy, making it an ideal stop for viewers interested in the crosscurrents of European art cinema and the performative registers of the 1960s and 1970s.
Film Forum highlights: retrospectives, restorations, and family favorites
Film Forum opens a retrospective devoted to Terry Zwigoff, collecting the director’s essential films and giving audiences a chance to trace his voice across documentaries and fiction features. Alongside that retrospective, the theater begins screenings of a newly completed 4K restoration of No Picnic, a project that emphasizes the film’s grain, color timing, and archival repair work. Another title continuing its run at Film Forum is Jerry Schatzberg’s Reunion, which remains available for repeat viewings. For family-oriented programming, the venue screens Kiki’s Delivery Service on Sunday, providing a weekend-friendly, high-quality projection of a beloved animated classic.
What the restorations mean
Restorations like the 4K transfer of No Picnic not only enhance visual fidelity but also preserve fragile elements of film history. The process often combines photochemical conservation with modern digital techniques to stabilize prints, correct color shifts, and repair physical damage. For audiences, seeing a restored print in a theatrical environment supports a fuller appreciation of a film’s original presentation conditions: contrast, aspect ratio, and audio balancing that mirror how filmmakers intended their work to be experienced.
Roxy Cinema and curated print programs
The Roxy Cinema has leaned into curated programming by presenting physical prints that span genres and eras. In a novel crossover between music and cinema culture, rapper and cultural figure Jack Harlow has programmed a selection of prints for the venue, drawing attention from diverse audience segments. These curated nights create a communal viewing environment where the choice of titles and the presence of a guest curator shape the conversation around each screening. Such initiatives often aim to reconnect younger audiences with the ritual of going to the movies while highlighting the unique qualities of in-person projection.
Curated nights and audience engagement
Curated programs often pair films with short talks, Q&A sessions, or thematic introductions that frame the viewing. When a public figure like Jack Harlow programs prints, the event can broaden appeal and invite different perspectives on older works. These nights underscore the value of theatrical attendance, not just as passive consumption but as an act of communal interpretation and discovery. Attendees leave with fresh bearings on the film and often a renewed interest in repertory schedules.
Tips for planning your visit
To get the most from Repertory screenings, check venue schedules and ticketing policies in advance; many shows at places such as Anthology Film Archives and Film Forum offer timed entries or limited-capacity runs. Arrive early for programs labeled as restorations or special retrospectives, since these screenings can draw dedicated crowds. If you value the artifact qualities of cinema, seek screenings advertised as playing from original film prints. Finally, consider pairing a retrospective slot with a related screening at a neighboring house to build a short, immersive festival within a single weekend.