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24 June 2026

Exploring the Standout Films and Acquisitions from Cannes 2026

From Neon's Palme d'Or winner to Netflix's bold acquisitions, Cannes 2026 was a year of cinematic surprises and groundbreaking deals.

Exploring the Standout Films and Acquisitions from Cannes 2026

The Cannes film festival 2026 was a whirlwind of cinematic discoveries and strategic acquisitions. While some films garnered immediate buzz, others quietly made their mark, leaving a lasting impact on the industry. This year’s festival saw a mix of established players and rising stars, with distributors like NeonNetflix and MUBI making significant moves.

The festival kicked off with a flurry of activity, as distributors scrambled to secure rights to the most talked-about films. Neon made waves with its acquisition of the Palme d’Or winner, It Was Just an Accident as well as The Secret Agent and Sirât. Meanwhile, Netflix added Nouvelle Vague and Left-Handed Girl to its slate, while MUBI picked up Die, My Love and Sound of Falling.

Post-Festival Acquisitions

In the aftermath of the festival, several notable films found their distributors. Kino Lorber acquired The Meltdown a Chilean film directed by Manuela Martelli which premiered in the Un Certain Regard section. The film, set in 1992, follows a young girl at a ski resort who befriends a German competitive skier, only for him to disappear without a trace. Critics drew comparisons to Picnic at Hanging Rock and The Spirit of the Beehive.

1-2 Special made a splash with its acquisition of Everytime directed by Sandra Wollner. The film, which won the Un Certain Regard prize, tracks a family’s trip to the Canary Islands following a tragic event. Meanwhile, Janus Films secured the rights to The Dreamed Adventure directed by Valeska Grisebach which won the Jury Prize in the Competition section. The film is a dreamy drama with a unique spin on the Western genre.

Festival Acquisitions

During the festival, several high-profile acquisitions were announced. Netflix secured the rights to Gentle Monster directed by Marie Kreutzer starring Léa Seydoux. The film, which premiered in the Competition section, follows an avant-garde pianist whose life is upended by shocking news about her husband. MUBI acquired Coward directed by Lukas Dhont a furtive romance set during World War I.

Sony Pictures Classics made a significant acquisition with Rehearsals for a Revolution a documentary directed by Pegah Ahangarani that spans 40 years of Iranian history. The film won the L’Oeil d’Or and covers the period from 1979 to the present day. Additionally, A24 acquired Club Kid a New York comedy directed by and starring Jordan Firstman which became a smash hit at the festival.

Pre-Festival Acquisitions

Before the festival began, several films had already found their distributors. Clockwork a new indie label under Warner Bros. acquired the rights to a restored version of The Devils directed by Ken Russell. The film, which premiered in the Cannes Classics section, is a controversial gem that has been largely unavailable until now. Neon secured the rights to Paper Tiger directed by James Gray a crime thriller starring Adam DriverScarlett Johansson and Miles Teller.

Janus Films acquired The Samurai and the Prisoner directed by Kiyoshi Kurosawa a samurai film set in 16th-century Japan. Meanwhile, MUBI secured the rights to Minotaur directed by Andrey Zvyagintsev a political fable and crime thriller. These pre-festival acquisitions set the stage for a dynamic and competitive market.

Author

Florence Wright

Florence Wright, Glasgow native with an editorial-minimal aesthetic, rerouted a social feed to live-cover a Pollok Park remembrance event, prioritising human detail over algorithmic reach. Promotes clarity, humane framing and local resonance; keeps an archive of Polaroids from neighbourhood gatherings as a personal emblem.