Hong Sangsoo, the renowned Korean filmmaker, has once again captivated audiences with his 35th feature, Nowhere to Lay My Eyes. Premiering at the 2026 Locarno film festival, this film is a breath of fresh air in his extensive filmography, offering a blend of humor, warmth, and introspection. Starring the inimitable Kim Min-hee, the film delves into themes of familial relationships, artistic expression, and personal identity.
The narrative unfolds on the picturesque island of Jeju, where Sang-hee, played by Kim Min-hee, reunites with her mother after a decade of separation. The film opens with a comedic mishap involving Sang-hee’s stepfather, Kwon Hae-hyo, which sets the tone for the quirky and heartfelt journey that follows. The ensemble cast, including Shin Seok-ho and Choi Myung-gil, brings depth and authenticity to the story, making it a standout in Hong’s repertoire.
Kim Min-hee’s Return to the Spotlight
Kim Min-hee, a frequent collaborator of Hong Sangsoo, delivers a performance that is both nuanced and captivating. Her character, Sang-hee, is a 40-something woman who balances a day job at a foreign snack import company with her passion for experimental filmmaking. Kim’s portrayal of Sang-hee’s quiet melancholy and artistic fervor adds a layer of complexity to the film, making it a must-watch for fans of her work.
The film also features a rare use of narration by Kim Min-hee, which adds a personal touch to the storytelling. This narrative device, combined with the film’s crisp and bright cinematography, creates a visually engaging experience that is both intimate and universal. The grungy guitar score, reminiscent of bands like Slint, further enhances the film’s unique atmosphere.
Themes of Art and Family
Nowhere to Lay My Eyes explores the intricate dynamics of family relationships and the pursuit of artistic expression. Sang-hee’s experimental filmmaking contrasts sharply with her stepfather’s long-term documentary projects, highlighting the different approaches to art and life. The film’s central theme of ‘regarding’—observing and reflecting on the world—is beautifully encapsulated in Sang-hee’s plaintive shot of a dandelion, narrated with a sense of poetic introspection.
The film also touches on topical issues, such as the war in Gaza, adding a layer of social commentary to the personal narrative. This blend of the personal and the political makes the film a timely and relevant addition to Hong’s filmography. The interactions between the characters, filled with dry humor and passive-aggressive tension, create a rich tapestry of human emotions and relationships.
A Refreshing Return to Form
With Nowhere to Lay My Eyes Hong Sangsoo has crafted a film that feels both familiar and fresh. The 72-minute runtime is packed with moments of warmth, humor, and introspection, making it a standout in his extensive body of work. The film’s crisp cinematography, engaging narrative, and standout performances make it a must-watch for cinephiles and casual viewers alike.
The film’s premiere at the Locarno Film Festival has been met with critical acclaim, with many praising Kim Min-hee’s performance and Hong’s direction. As the film prepares for its release by Cinema Guild, it is poised to become a favorite among Hong’s fans and a gateway for new audiences to discover his unique cinematic style.
