Trailer drops for Caroline Golum’s Revelations of Divine Love ahead of theatrical dates

Caroline Golum’s second feature, Revelations of Divine Love, premiered at FIDMarseille and will begin a theatrical run in New York on March 27; Several Futures handles distribution

Revelations of Divine Love, the new film by Caroline Golum, is moving off the festival circuit and into theaters. After its premiere at FIDMarseille the film was picked up by indie distributor Several Futures and will open in New York on March 27 at Anthology Film Archives, followed by a string of curated screenings through April and more cities to come.

Why this matters: festival acclaim doesn’t automatically translate to a broader audience. This rollout looks deliberately paced — not a one-night showcase but a small, targeted theatrical campaign designed to build momentum, word-of-mouth and a sustainable audience for an art-house picture.

The strategy, in brief – Who: Director Caroline Golum and distributor Several Futures. – What: A limited theatrical run that begins in New York and expands through curated venues. – When: Launch March 27 at Anthology, with programmed dates through April and further announcements pending. – Where: Anthology Film Archives to start; confirmed April stops around Brooklyn and Manhattan, with additional cities to be added. – Why: To convert festival visibility into press attention, box-office traction and bookings at specialty cinemas.

What the rollout reveals Several Futures is leaning into a measured approach: multiple programmed dates rather than a single gala. That choice signals an effort to cultivate steady interest — press screenings, neighborhood engagements and partnerships with niche venues that can sustain conversation beyond the festival weekend. A staggered release also gives the team room to tweak marketing, respond to early audience feedback and decide where to invest in expanded runs.

Trailer and marketing A trailer is already circulating ahead of the theatrical dates. It foregrounds Golum’s visual style and central themes without spoiling the story, positioning the film for critics and cinephile audiences alike. For an indie release like this, metrics from trailer views and early engagement will help determine where to push for additional bookings and which neighborhoods show the most appetite.

Confirmed New York engagements – Anthology Film Archives — March 27 (opening) – Nitehawk Prospect Park — April 5 – Low Cinema — April 11 – Roxy Cinema — April 17–19 and April 24–26 – Spectacle — April 24–26

These venues are known for thoughtful programming and dedicated audiences — the kind of places where a slow-build release can take root. Several Futures says more U.S. and international dates will be announced as bookings are confirmed.

What to watch next Keep an eye on: additional city rollouts, special events (Q&As, panel programs, retrospectives), and early box-office or attendance reports from the New York run. Those indicators will show whether the film’s audience-building strategy is taking hold and where Subsequent expansions make the most sense.

How to see it Check the websites and social channels of Several Futures and the participating theaters for ticket links and updated schedules. If initial screenings do well, expect more cities and added dates — that’s typically how curated releases grow.

I’ll report further updates as new venues and attendance figures are announced.

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Alessandro Bianchi

He launched tech products used by millions and others that failed miserably. That's the difference between him and those who write about technology having only read about it: he knows the taste of success and the 3 AM pivot. When he reviews a product or analyzes a trend, he does it as someone who had to make similar decisions. Zero hype, only substance.