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25 June 2026

Black Chariot Film Restoration: A Pioneering Work by Robert L. Goodwin

Dive into the fascinating journey of Black Chariot, a lost gem of independent Black cinema, now restored and ready for a new audience.

Black Chariot Film Restoration: A Pioneering Work by Robert L. Goodwin

In the realm of independent cinema, certain films slip through the cracks of history, only to be rediscovered decades later. Black Chariot a 1971 film directed by Robert L. Goodwin is one such gem. This film, which explores themes of loyalty, political awakening, and conscience, is now being brought back to life through a meticulous restoration process.

Goodwin, a pioneering Black writer in television scripted episodes for notable shows like BonanzaLove, American Style and All in the Family. His sole directorial effort, Black Chariot follows a young drifter from South Central Los Angeles who becomes entangled with a Black militant organization. The film stars Bernie Casey in his first leading role and Barbara O. Jones years before her iconic role in Daughters of the Dust.

The Making of Black Chariot

The production of Black Chariot was a testament to guerrilla filmmaking. Shot on the streets of Los Angeles, the film was crowdfunded and premiered at the Santa Monica Civic Auditorium in 1971. Goodwin’s innovative approach included four-walling a theater for the premiere, ensuring the film’s initial audience. Despite its groundbreaking content, the film remained largely unscreened for decades.

The story revolves around a character known only as the drifter portrayed by Casey. The film’s narrative weaves past and present to depict the social awakening of its protagonist. Goodwin’s direction, combined with the raw energy of the performances, makes Black Chariot a fascinating and iconoclastic revelation.

The Restoration Process

The restoration of Black Chariot is a collaborative effort led by the Smithsonian National Museum of African American History & Culture (NMAAHC) with funding from the National Film Preservation Foundation. Additional support was provided by NMAAHC’s Earl W. and Amanda Stafford Center for African American Media Arts. The film has been restored in 4K ensuring that its visual and narrative impact is preserved for future generations.

The restoration process involved meticulous work on both the 35mm and video footage used in the original production. This effort has brought back the vividness and clarity of Goodwin’s vision, allowing audiences to experience the film as it was intended.

The Legacy of Black Chariot

As Black Chariot prepares for its theatrical release on July 10th beginning at the Anthology Film Archives it stands as a testament to the enduring power of independent cinema. The film’s exploration of political and social themes remains relevant, offering a poignant commentary on the human experience.

Goodwin’s work, as he himself noted, is a lost gem of American independent cinema. The restoration of Black Chariot not only honors Goodwin’s legacy but also ensures that this important piece of cinematic history is accessible to new audiences. As the film returns to the screen, it invites viewers to engage with its powerful narrative and timeless themes.

Author

Beatrice Mitchell

Beatrice Mitchell, Manchester-rooted and classically elegant, famously commissioned a rebuttal series after a controversial council planning meeting in Stockport, insisting on community testimony. Holds a firm editorial line on accountability and narrative fairness, and collects vintage city planning maps as an idiosyncratic hobby.