The Taiwan Creative Content Agency (TAICCA) gathered its four partner funds for a showcase at the Taiwan Creative Content Fest (TCCF). Chair Sue Wang opened the session by stressing that the investments are overseen by seasoned managers who apply rigorous risk assessment. In total, the four vehicles back 27 projects valued at roughly NT$5.64 billion (about $180 million), most of which comes from private capital.
Collectively, the funds—Enjoy Entertainment, Momomini Kids Content Fund, Joint Journey Creative and the Chunghwa Digital Cultural and Creative Fund—are designed to move Taiwanese stories beyond the island’s borders, whether through streaming platforms, theatrical releases or live-event tours.
Enjoy Entertainment pushes Taiwanese cinema abroad
Enjoy Entertainment is a partnership among TAICCA, Far EasTone Telecommunications (FET) and Far Reach Entertainment. In its first ten months the fund completed 15 investments, spanning film, television and music events. Highlights include Our Blues, a Taiwanese remake of the Korean hit, scheduled to debut on Netflix on December 3. The horror franchise The Rope Curse 4: Kuntilanak has already taken in NT$80 million ($2.5 million) at the local box office and is rolling out to Malaysia, Indonesia and, soon, Cambodia. Gary Tsai, FET’s entertainment chief, noted that the film’s “Taiwanese taste and flavor” is resonating across Asia.
Beyond cinema, Enjoy has backed the ID Music Festival at Huashan Cultural Park, the live productions Her Voice and Don’t Cry, Dancing Girls, and an immersive exhibition by picture-book artist Jimmy Liao. The fund’s strategy, according to Tsai, is to pair Taiwanese originals with international IP and use Far EasTone’s friDay Video platform to reach overseas viewers.
Momomini Kids Content Fund nurtures children’s programming
The Momomini Kids Content Fund pairs TAICCA with the media brand Momomini, a YouTube-centric channel. With six investments in its inaugural year, the fund focuses on content for children and teenagers—an area previously treated as a niche in Taiwan. Phoebe Tsai, COO, highlighted projects such as the comedy-adventure series Who’s Our Sub Today?, the animated sitcom Feifei (adapted from Bei Lynn’s picture books), and the live-action collaboration Mogu & Perol with France’s Zephyr.
In the reality-show arena, the fund produced Having Fun In The Mountains, while the drama Hello Mr President follows a youngster meeting Taiwan’s president. Tsai emphasized that “very few production houses in Taiwan make drama for kids and teenagers,” making the new series a landmark that will air in January next year.
Joint Journey Creative builds trans-border IP bridges
Founded in 2025, Joint Journey Creative (JJC) is a joint venture of SET Group, TAICCA, Chunghwa Telecom and Japan’s The Far Eastern TV Entertainment. Its mandate is to develop transmedia properties and connect Taiwanese creators with Asian and global markets. JJC holds a seat on the production committee for season six of the Japanese series Midnight Diner, illustrating its cross-border clout.
Joanne Tsai, JJC’s president, said the fund “creates relationships and trust between Taiwan and Japan to pave the way for more collaboration.” JJC also runs talent-incubator workshops that bring Korean and Japanese drama producers into contact with Taiwanese writers, and it is currently scouting scripts for potential co-productions across Europe and the United States.
Chunghwa Digital Cultural and Creative Fund backs marquee productions
The Chunghwa Digital Cultural and Creative Fund was set up by TAICCA, Chunghwa Telecom and E.Sun Bank, with a capital pool of about NT$1 billion ($30 million). Ownership is split 64 % Chunghwa, 30 % TAICCA, 5 % E.Sun and 1 % CDCC Capital Management. The fund takes equity stakes in companies such as Damou Entertainment (producer of The World Between Us) and Horiza Creations, which focuses on international IP operations.
Its project slate includes the eight-episode drama C’est La Vie, starring and executive-producing Esther Liu, the action-comedy Call Of Lobster featuring Chang Chen and Choi Siwon, and the indie band Shallow Levée’s “Speak in Silence” tour that will span Taiwan and eight other Asian nations.
Overall, the four funds illustrate a coordinated effort to professionalise Taiwanese content financing, expand market reach and diversify the kinds of stories being told—from horror blockbusters and Netflix adaptations to children’s adventure series and the island’s first Off-Broadway musical.
