How Mortal Kombat II and The Devil Wears Prada 2 could reshape this weekend’s box office

A concise guide to this weekend's box office battlegrounds and why Mother's Day is shaping results for major releases

The spring-to-summer box office is settling into a pattern where carefully timed alternatives can move big crowds, and this weekend is a textbook example of that dynamic. Several films are stacking up against each other: the action-oriented Mortal Kombat II is targeting a young-male audience while legacy tentpole The devil wears Prada 2 leans into female and Mothers Day turnout. Also on the schedule are a family comedy from Amazon MGM Studios, a concert film released by Paramount, and a steady hold from Lionsgate’s Michael. Studios and trackers are offering different ranges, and the sums across domestic and international markets will determine whether any title can dominate the multiplexes this weekend.

Headliners and their prospects

Mortal Kombat II arrives as an R-rated sequel with previews starting at 3PM Thursday and an opening footprint of approximately 3,400 U.S./Canada locations, including IMAX, Dolby and other premium formats. Industry trackers have provided a spread of expectations: some forecasts point to a near-$50 million three-day launch while other models have recently trimmed estimates into the $35M–$45M range. warner bros. has publicly adjusted its internal outlook downward to around $35M, though alternative signals pushed global opening hopes closer to $65M and beyond. The film’s Rotten Tomatoes critics score sits at 75%, an uptick from the original’s 55%, and the narrative centers on Karl Urban’s Johnny Cage and his allies fighting to stop Shao Kahn from conquering Earthrealm. The 2026 Mortal Kombat release opened during the pandemic with a $23.3M North America start and finished domestically at $42.3M, so this sequel’s full theatrical-only availability is expected to lift totals compared with that release pattern.

Mortal Kombat II international footprint

Warner projects distribution into roughly 78 territories and up to 40,000 global screens across major markets such as France, Germany, Italy, China, Australia, Korea, Brazil, Mexico, Spain and the UK. Early studio messaging suggests an initial worldwide window of roughly $65M, with international contribution pegged near $30M from those territories; if domestic results land toward the higher end of industry ranges, the combined global start could approach $80M. These figures matter because the film’s heavy reliance on male-dominated event cinema will determine repeat play and long-weekend holds, which are essential for R-rated action franchises to reach profitability on theatrical receipts alone.

Counter-programming and Mother’s Day influences

The Devil Wears Prada 2 continues to capitalize on broad, multiplex-friendly appeal and Mother’s Day traffic, with an expected second-weekend domestic result in the low $40 millions. Internationally, analysts anticipate a typical hold pattern with a drop roughly between 52% and 58% from its $156.6M opening frame, translating to about $65M–$75M overseas for the weekend and a combined global sophomore frame of $107M–$117M. If those ranges hold, the sequel’s cumulative worldwide take could climb north of $460M on the higher end. The release underscores how event comedies or legacy sequels aimed at adult and female audiences can remain resilient when holiday-related attendance amplifies performance outside of strictly action-driven titles.

Additional competitors and niches

Lionsgate’s Michael is expected to produce another strong frame — roughly $30M domestically in its third weekend, with the potential to add a significant international haul that could push its third global weekend to about $80M and move the film’s cumulative beyond the half-billion-dollar threshold. On the family side, Amazon MGM’s PG-rated The Sheep Detectives starring Hugh Jackman aims at multi-generational audiences and previews begin 2PM Thursday ahead of a roughly 3,547-theater launch on Friday. Critics have responded warmly, with a 96% Rotten Tomatoes score, and the film will roll out across 79 overseas markets with nine later openings in places including Germany and China (opening May 16 in China). That family-friendly positioning makes it a natural beneficiary of holiday attendance.

Concert films, acquisition deals and tracking ranges

Paramount’s concert picture Billie Eilish: Hit Me Hard & Soft opened early-access screenings and will play in about 2,600 U.S. theaters following 2PM previews; the title was acquired in a 50/50 deal with Interscope for $20M. Domestic forecasts for the film range from roughly $6M to $16M early on, with a global outlook in the $12M–$15M band across 57 markets. The film’s release was shifted from March to allow technical finishing touches on its 3D presentation, and select early screenings were held Wednesday, April 29 at 7PM local time. Concert releases like this typically perform strongly among core fans and in premium format engagements, but wider reach depends on cross-demographic curiosity.

What trackers are signaling

Box office trackers supply ranges rather than fixed outcomes: for this weekend projections include three-day opening windows showing Mortal Kombat II between $40M and $50M, The Sheep Detectives between $11M and $16M, and Billie Eilish: Hit Me Hard & Soft between $8M and $16M. These ranges reflect pre-sales, early previews, critic sentiment and format availability. Ultimately, how audiences allocate their tickets — whether to action spectacle, legacy adult fare, family entertainment or concert cinema — will define the weekend’s hierarchy and the momentum studios can build for summer release schedules.

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Emma Whitfield

Travel writer, 50+ countries. Sustainable travel, hidden gems, cultural immersion.